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Showing posts with label Journeyman. Show all posts
Showing posts with label Journeyman. Show all posts

Friday, October 24, 2008

Life in Network Hell


If you know nothing about Life on Mars, either the BBC or the US version, this post will bore you to tears. Walk the dog. Floss your teeth. Get back to writing, slacker. If you know anything about the series-and about me-you must have known I'd come to an opinion about it eventually. I gave this reincarnated version three episodes. The waters are warm enough to wade in.

It's been almost a year since NBC canceled Journeyman. Last night, seeing a teaser of Kevin McKidd playing a hunky doctor on the upcoming episode of Grey's Anatomy smarted. What a leap off the tower of intellectually engaging drama, though the tower is lowered each year into the sinkhole that is a collective network impatience. This time, ABC is the guilty party, offering up something engaging, stirring a legion of viewers hungry for things other than American Gladiators and Cloris Leachman's thigh-revealing attire, and snatching it away when Nielsons don't deliver. Newsflash: only my parents watch television in real time and they're not your demographic. Change the system to reflect DVR/Tivo and internet downloads, the way most viewers put priorities first and avoid political and erectile ads. But I digress.

Life on Mars entered the Fall season trying to re-capture the Rice-a-Roni devotees left behind from Journeyman and add the magic elixir of network success: the cop show-this time with a 1970s twist. Who doesn't remember the Cameros racing through an entire decade of bad clothes and Farrah love interests? What red-blooded American male would turn away from cop-talk spiced with police brutality and characters that don't exactly play by the book? What woman could deny Jason O'Mara's fresh face?

The cast is superb, especially Harvey Keitel as the precinct's loud, blunt purveyor of justice. I enjoy wading into a scene that's not offering up CSI-ADD camera work and a David-Caruso inflated ego filling the screen. I like the historical perspective and the underlying irony of how far we haven't come from the 1970s. Those echoes add depth, something toe tags and snappy CSI banter can't reach. But, therein lies the show's demise.

Those CSI viewers ABC was hoping to attract are dropping off en mass because there's not enough cop. Unlike the original BBC series, which is rumored to have revolved primarily around cases each week, the new version of Life on Mars has become too character-driven. Huh. I thought that made for great television. Shows what I know.

Life on Mars does succeed in continuity-a place Journeyman failed. The very premise of Jack Vasser physically juggling his past and present life, central to Journeyman's conflict, is the structure that made it difficult for some to follow. Life on Mars has shades and echoes of Sam Tyler's present life, but the writers chose simplicity in structure.

ABC has yet to order more episodes. Apparently, when the execs tossed the Fall shows to the wall, the only things that seem to stick are gore and disco balls. What a shame shows like Cheers and M*A*S*H would have endured the same fate had they been produced in a results-hungry 2008. My advice? Watch the first three eppies on the internet, they're worth it. Tune in for a taste Thursday night, help the ratings. It's not like LOST, you'll catch up fast in the opening monologue. But if you can't bear to have a favorite canceled by impatient networks, don't bother.

Just turn off your set and go floss your teeth.

What shows are you watching?

Wednesday, September 26, 2007

Armchair Writer with a Remote

Journeyman on NBC. You knew I'd get around to an opinion about it, right?

Aside from the common belief that the general TV audience doesn't have the attention span or patience for a storyline this complex, completely disproved by the success of Heroes and Lost, I'm not convinced this show has longevity. And you all know how much I wish for time travel longevity, right?

Many comparisons have been made to Quantum Leap, for obvious reasons, but the similarities stop at the whole time-travel-make-things-right premise. Journeyman has the potential to explore deeper, more complex emotions and moral choices because the main character is traveling as himself, not the embodiment of another, and must return and face the consequences of his circumstances. However, because Sam Beckett communicated with the future via secondary characters and technological devices, he remained firmly in the storyline of the past, allowing the viewer full, uncluttered access to the problem at hand.

Now, this opinion is coming from someone whose novel unfolds backward in twenty-four hour increments, but Journeyman is symptomatic of the fast-paced--even hurried dramas that are becoming staples on network TV. Quick dialogue. Rushed scenes in an effort to break for more commercials and keep an audience from multitasking five other actions to stop long enough to become engaged. So many moments in Journeyman's pilot fly by. The emotional payoff to an amazing ending, where the entirety of the episode becomes clear was completely rushed. The moment he discovers his lost lost love might indeed face the same strange phenomenon he's struggling to understand, her line is rapid-fire and buried beneath an effective, but too-loud background score. Dan Vasser experienced one moral dilemma after another in the span of 38 minutes, yet the writers and directors only skimmed the surface of these emotions, asking the viewer to fill in the rest.

I applaud NBC for continuing to harness the success of Heroes and the craving the audience has for something fresh that offers complexities the viewer will analyze long after the credits roll. I hope the lightning speed of the pilot was merely set to engage a new audience and the pace will slow a bit to capitalize on the unique challenges facing the characters.
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Oh, and note to self: if this fiction thing doesn't work out, I can, apparently, work as a newspaper reporter in San Francisco and earn enough to buy a four million dollar Victorian.

What did you think?

Sunday, August 5, 2007

The Time Machine ~ Week of August 6, 2007



This week ::
~Time travel-friendly short fiction markets
~NBC's Fall show: Journeyman



By no means an exhaustive list, the Science Fiction and Fantasy Writers of America consider these the most professional short story science fiction markets in the industry:

Analog Science Fiction and Fact
Asimov's Science Fiction
Baen's Universe
Brutarian
Cemetery Dance
Chizine
Cosmos
Dark Wisdom
Dragon
The Magazine of Fantasy and Science Fiction
Odyssey - Adventures in Science
Pedestal Magazine
Realms of Fantasy
Strange Horizons
Subterranean Magazine
Writers of the Future Anthology

Speculations, once a bi-monthly SF magazine that has changed exclusively to an online format, lists additional markets on their site, along with feedback from writers who have submitted to these publications.
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NBC's Fall show "Journeyman" is being plugged as a romantic mystery-drama. Dan Vassar (Kevin McKidd, "Rome") plays a San Francisco newspaper reporter and familyman, who "inexplicably begins to travel through time and change people's lives. Along the way, he must deal with the difficulties and stress at work and home brought on by his sudden disappearances. However, his freewheeling travels through the years reunite him with his long lost fiance, Livia--which complicates his present life with wife Katie and their son." --nbc.com
Will you tune in?